G C ARGAN: EL CONCEPTO DEL ESPACIO ARQUITECTÓNICO DESDE EL BARROCO A NUESTROS. There is Giulio Carlo Argan´s book hat titles The concept of El concepto moderno de espacio arquitectónico José Ramón Hernández Correa. Request PDF on ResearchGate | Espacio plástico y significación | The central concept of this article is plastic space. El concepto del espacio arquitectónico: desde el barroco a nuestros días / Giulio Carlos Argan. Article.
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In the first, God did not create space, but things, and then man created space to understand the relationship between things.
Lupita Vázquez | Universidad Autónoma del Estado de México –
Arrgan architect of the Baroque realizes that the space does not exist before, but arquittectonico he can create it. I see Borromini and Frank Lloyd Wright ; you not? Before six hundred the architecture was thought as representation of the space, but in the Baroque it transformed up to be conceiving as determination of the space.
The whole world knows that the architect determines the space in which the life of the community develops.
It was of the New publishing house Vision, of Buenos Aires, and I am useful to be grateful to the Argentine publishing houses for the immense labor that they have done for the culture in Castilian, and the great thing that we owe to them from Spain. Not even the white thing is so white not the black thing is so black. The architect does that the space flutters, and the human being meets immersed in a mental conception, in an abstraction that, nevertheless, materializes very carnal and concretely.
But this arvan always was like that. For the man of the system, for the contemplative man, the space is a revealed information. The space is not previous, but it is deciding across the architectural forms. I suppose that you will be wishing to turn me to lowering a few positions; that put me in my site and the humitos stoop me a bit. The architect already does not represent sepacio space, cooncepto it does it.
Then the architect also was creating, but his creation was to state that the space was since had to be, that the work had realized correctly. Argan says that the space is not an objective, definite relidad, with a stable structure, but it is a concept ; it is to say, an cobcepto that has a historical own development.
My existence is a phenomenon and is realized in the world of phenomena. But the man who resolves to accept the movements of his own interior life will try to clarify how this life develops, and also he will consider his own life in relation with her of the others.
You imagine the strict regulation of the Renaissance, the orders, the clarity of composition. Since you have reason. Apart from this, it is necessary to bear in mind that when one speaks about so slippery terms it is necessary ddl exaggerate or, for saying this way, forcing the contrasts.
The modern concept of architectural space | José Ramón Hernández Correa
It is a way of understanding itself. From the Baroque to the present day this concept of space has transformed from being considered to be something previous up to understanding itself as final attainment. But per today already I have given you arquotectonico the ember. I have said that today I would become marvellous, but I will have piety of you and will simplify everything what could. Esta web usa cookies Esta web usa cookies para mejorar la experiencia de los usuarios.
It will be an open session, alive, creativly, mutable, enough desasosegador, complex. There is a constant transformation of the values of the space, transformation that is tied by the activity: Today this is more than assumed.
In the second, the word refers to the unlimited extension of the world, with all the facts that take place in it, and which finds its phenomenalization through the work of art in general and architecture in particular.
But if we depart from the beginning of that the experience is what counts, it will happen that ours to exist in the reality will be able to constitute the constant determination of a space the space that I cross, the space that I see, the space in which I move and in which I experience my emotions. Nevertheless, the architect of the Baroque believes convexities and concavities that hit, unforeseen and untid explosions, contradictions.